QUOTE(Ronnoco @ Jul 12 2006, 04:38 PM)
Red, there was an article with Nicole in Vanity Fair last year and the interviewer Ingrid Sichey (sic) who is a friend of Nicole's too (and discloses this in her article) made plans to meet Nicole who was going to view a Diane Arbus exhibit. Nicole then called Ingrid and said it was something she needed to do alone as it didn't feel right to be accompanied when she was probably trying to just understand Diane and get under her skin. When I read this part of the article, I really understood (as did Ingrid) why it was just important for Nicole to be alone with Diane (i.e., her work)....
It's been a while since I've pulled out that maggie and read that interview, so thank you for the reminder, Ronnocco. It reminds me of how she spent some time alone at a cottage to prepare for the shooting of her segment of "The Hours" (and to get a mental break from the hullabaloo and trauma re: her divorce.)
It seems to me that Nicole approaches her work reminds of a monk or nun (whether buddist or catholic) going into meditation or devotions, or the way one might approach any spiritual practice. The sense that I get is that there is the practical aspect of learning the lines, getting to know or build a sense of "character", etc and so forth, and then metaphorically opening herself up or "stepping aside" and serving as a conduit or "clear channel" to let the character come forward and speak for herself. That is not to say her "personality" is not involved at all (one might say it is her personality that determines many of her choices at the beginning - why she leans towards certain roles and not others) but in most instances (in her finest performances) it's not "Nicole" we are watching onscreen.
This sense of "separation" may account for some of David Thompson's disappointment (as noted in his book "The Whole Equation") while watching Nicole accept her Oscar for playing Virginia Woolf ("She was a mess"). He was expecting Virginia to have "rubbed off" on Nicole to the extent that she was "transformed" into a more intelligent, more verbally eloquent woman. (I can only surmise that he had never seen her interviewed on Charlie Rose.) That she was changed by the experience, by the "intercourses" between herself and her characters, she herself made and makes clear in interviews. But Thompson I think misunderstands (or misunderstood - I'll see where he stands in his upcoming "bio" of her) the nature of her work and her working methods - as is entirely unfair to expect that a character would transform the actor who plays her in visible, spectacular ways when in fact such "transformations", if they occur at all, are generally of a much more subtle nature.