His book "Nicole Kidman" is coming out in September; there's a thread for it here in the Inbox (forgive me I couldn't locate it - Prof. Skanky, please?) I have no idea if it is meant to be principally a biography or a work of film studies/analysis/opinion.
Another member here was kind enough to send me an interview with Thompson in which he talks about his (varied and very interesting) career as a writer; I shall look for that article so I can post the link.
The use of the word "bimbo" in reference to Nicole goes back to yet another interview (*searching, searching*) in which he praises her recent film roles (including The Human Stain, one of my all-time faves) but then can't resist referrring to his perception of her (prior to her divorce) as a "bimbo" - i.e., who was this "bimbo", this Mrs. So-and-so who just seemed to come out of nowhere and proved herself as an actress with these stunning performances?
No doubt he meant it in a jesting, offhand manner, but he ignores the fact that her career dates back to her teens, and before coming to the US she was already an award-winning actress in Australia with several acclaimed performances (Vietnam, Bankok Hilton) under her belt by the time she was in her early 20's. It also ignores her pre-divorce performances in To Die For and Portrait of a Lady, amoungst others.
All of which I understand - when To Die For came out my initial reaction was "Oh, she's so-and-so's wife, but what has she done since...Dead Calm that I would really care about?" (Never mind that I'd seen almost none of her films in the interim.) We all know about the uphill battle she faced there, which she parodied beautifully on her turn as guest host on SNL, and which the interviewers threw at her at nauseum. "So, how are you going to make people forget you're Mrs ---?" ("Not by having to answer that ridiculous question for only the 1,000th time - in one day.")
What I really take issue with is the fact that Mr. Thompson is so uncomfortable with the notion that he is a "fan" of Nicole's, by the very dynamics of "fandom" if you will, (which may or may notinclude elements or romantic or sexual attraction or idealization, or an inexplicable emotional identification with the actor or on-screen roles) that he feels the need to denigrate both her intelligence and her sexuality in a single blow. (Can you imagine anyone calling DeNiro, Pacino, or Penn "a bimbo"?)
Perhaps gender is part of the difference. Yes, I can sympathize on some level with Mr. Thompson's plight - I find that being a "fan" can be strange, embarrassing, emotional, irrational, highly feminized, etc etc. It can also be pleasurable, and a way to connect with others who feel similarly. In any case, my tendancy is to denegrate myself rather than Nicole (it isn't Nicole's fault that I "dig" her, to use the '60's phrase. Why should I put HER down for my own emotional states?) Perhaps in part because my fandom arises from emotional identification with qualities her characters bring forth on screen, in which I see echoes of my own life, situation and personality, or of people I know and love. Whereas to Mr. Thompson, Nicole will always be the mysterious "other" (female) rather "self" (male). And that "other" is invariably identified with those qualities we wish we possessed - and those we wish we did not, everything messy and emotional and irrational within ourselves.
(As I probably became incoherent, oh, sometime around the beginning of this post, I suppose it's far past time I stopped.)
QUOTE(bywayoftexas @ Jul 14 2006, 11:06 PM)
red, no need for formalities...tex will do nicely.
yes, go back to the interviews with charlie rose. the daldry interview link is on page 2. he said he was actually worried for nicole's well being in the hours because she "drowns" herself in the film. it seemed to go along with the discussion although i know nothing about thompson. can someone point me in the right direction so i can learn a little more?
